| USE OF KEYS IN THE TRANSCRIBED BARS | |||||||||
| IN THIS STUDY | |||||||||
| Title | Major | Dorian | Phrygian | Lydian | Mixolydian | Minor | Varying rapidly | Others | Atonal |
| Lost in a whirlpool | E | ||||||||
| Pound for a brown/legend of the golden arches | B | B | |||||||
| Sleeping in a jar | F | ||||||||
| Guitar waltz | X | ||||||||
| Mice | Drums only | ||||||||
| The Blackouts | Spoken text | ||||||||
| The world's greatest sinner, single | A | ||||||||
| The world's greatest sinner movie sample #1 | D | D | X | ||||||
| The world's greatest sinner movie sample #2 | X | ||||||||
| The world's greatest sinner movie sample #3 | X | ||||||||
| Holiday in Berlin | D | D | |||||||
| Run home, slome theme #1 | Pentatonic | ||||||||
| Run home, slome theme #2 | Self-created scale | ||||||||
| Run home, slome cue #2 | G | ||||||||
| Run home, slome cue #3 | D | X | |||||||
| The little march | X | ||||||||
| Run home, slow movie sample #1 | E | ||||||||
| Run home, slow movie sample #2 | X | ||||||||
| Run home, slow movie sample #3 | X | ||||||||
| Run home, slow movie sample #4 | X | ||||||||
| Ronnie sings | B | ||||||||
| Ronnie's booger story | X | ||||||||
| Take your clothes off while you dance | C | ||||||||
| Fountain of love | D | ||||||||
| Any way the wind blows | G | ||||||||
| Why don't you do me right (Pal records) | G | ||||||||
| Why don't you do me right (Joe's Xmessage) | F | ||||||||
| Why don't you do me right (1967) | G | ||||||||
| Walkin' out | D/A/E | ||||||||
| Waltz (Pal records) | D | D | |||||||
| Speed-freak boogie | E | ||||||||
| Metal man has lost his wings | E | E | |||||||
| Tiger roach | E | ||||||||
| Opus 5 | X | ||||||||
| Mount St. Mary excerpts | X | ||||||||
| Breaktime | C | ||||||||
| Memories of El Monte | G | ||||||||
| Love of my life (1963/80) | E/G | G | |||||||
| Grunion run | C | ||||||||
| Jessie Lee | G | ||||||||
| Dear Jeepers | C | ||||||||
| Letter from Jeepers | D | ||||||||
| Hey Nelda | A | ||||||||
| Surf along | C | ||||||||
| How's your bird | C | ||||||||
| The big surfer | C | ||||||||
| Mr. Clean | G | ||||||||
| Everytime I see you | G | ||||||||
| Excerpt from the Uncle Frankie show | C | ||||||||
| Opening night at Studio Z | C | ||||||||
| I was a teenage maltshop | C | D | |||||||
| I'm loosing status at the high school | Eb | F | |||||||
| Status back baby | C | ||||||||
| Arabesque/Toad of the short forest (1963/69) | A | C/D/E | X | X | X | ||||
| Charva | C | ||||||||
| Duodenum | E | E | |||||||
| Bossa Nova | G | ||||||||
| Power trio | A | ||||||||
| Original Mothers at the Broadside | G | G | |||||||
| Mondo Hollywood | E | ||||||||
| Motherly love | A | A | |||||||
| I ain't got no heart intro 1965 | A/Ab/G | A/Ab | |||||||
| Hungry freaks, daddy | A/E | E | Pentatonic | ||||||
| I ain't got no heart (1966) | G | ||||||||
| Who are the brain police | X | ||||||||
| Go cry on somebody else's shoulder | G | ||||||||
| Wowie zowie | C | ||||||||
| I'm not satisfied (1966-8) | D | A | D | E | |||||
| You're probably wondering why I'm here | G | E | |||||||
| Trouble every day | E | ||||||||
| Help I'm a rock | A | ||||||||
| It can't happen here | X | ||||||||
| The return of the son of the monster magnet | X | ||||||||
| The downtown talent scout | A | ||||||||
| Groupie bang bang | C | ||||||||
| Plastic people | G/D | ||||||||
| The duke of prunes | E | F | E | ||||||
| Amnesia vivace | Major type | X | |||||||
| Soft-sell conclusion | E | ||||||||
| Brown shoes don't make it (1967-81) | A/C#/F# | D | Ab | A | X | X | |||
| Invocation & ritual dance of the young pumpkin | C#/E | ||||||||
| America drinks | X | ||||||||
| America drinks and goes home | X | ||||||||
| Uncle Bernie's farm | A | D | |||||||
| Son of Suzy Creamcheese | A | E | |||||||
| The big squeeze | X | ||||||||
| Are you hung up? | D | X | |||||||
| Who needs the peace corps? | D | F# | C | C | F# | ||||
| Mother people | D | A/E | |||||||
| Absolutely free | Ab | E | F | ||||||
| What's the ugliest part of your body? | G | ||||||||
| Bow tie daddy | C | X | |||||||
| Concentration moon | Bb | C | X | ||||||
| Harry you're a beast | A | ||||||||
| Flower punk | X | X | B | ||||||
| Hot poop | C | ||||||||
| Lonely little girl | Ab | ||||||||
| The chrome plated megaphone of destiny | X | ||||||||
| No matter what you do | Bb | ||||||||
| Oh no (again) (1967/69) | E/C# | E | |||||||
| At the gas station | Db | ||||||||
| I don't know if I can go through this again | X | X | |||||||
| Almost Chinese | C# | ||||||||
| It's from Kansas | F | X | |||||||
| Amen | X | ||||||||
| Just one more time | Ab | ||||||||
| King Kong (Lumpy gravy) | A | X | |||||||
| Envelops the bath tub | |||||||||
| Foamy soaky | X | ||||||||
| Unit 3a | X | ||||||||
| Unit 9/ A vicious circle | X | ||||||||
| Kangaroos | X | ||||||||
| How did that get in here? | X | ||||||||
| Cheap thrills | A | ||||||||
| How could I be such a fool | C/Bb | E | X | ||||||
| Jelly roll gum drop | A | ||||||||
| You didn't try to call me (1966-76) | G | A/C#/E | |||||||
| Later that night | A | ||||||||
| "No, no, no" | Bb | ||||||||
| Stuff up the cracks | C | ||||||||
| Chucha | C | ||||||||
| Oh, in the sky | G | ||||||||
| If I could only be your love again | G | ||||||||
| Uncle meat (1969) | D/Eb | X | |||||||
| Uncle meat variations | C | X | |||||||
| Nine types of industrial pollution | Bb | ||||||||
| Zolar Czakl | X | ||||||||
| Dog breath/Blood unit | G | A | X | ||||||
| Dog breath variations (1969/93) | E | ||||||||
| Dog breath variations (1974) | Floating | ||||||||
| Exercise #4 (1973) | A/C | ||||||||
| Prelude to King Kong | F# | ||||||||
| The legend of the golden arches | G# | Irregular | |||||||
| Electric aunt Jemima | D | ||||||||
| A pound for a brown (on the bus, 1968-82) | X | Bb | |||||||
| Ian Underwood whips it out | Eb | ||||||||
| We can shoot you | X | ||||||||
| The air | E | A | |||||||
| Project X | Bb | X | |||||||
| Cruising for burgers | B | D/F | |||||||
| King Kong | Db | Eb | Ab | Pentatonic | X | ||||
| Prologue (1968) | |||||||||
| Like it or not | X | ||||||||
| Undaunted, the band plays on | X | ||||||||
| Would you like a snack? (1968) | G | Floating | |||||||
| Some ballet music | X | ||||||||
| Epilogue | Ab | X | X | ||||||
| The rejected Mexican pope | X | ||||||||
| Uncle rhebus | Eb | Eb/C | Db | C | |||||
| Agency man | C | ||||||||
| Bust his head | E | E | E/A | ||||||
| Tiny sick tears jam | C | C/F | Pentatonic | ||||||
| Whisky improvisation II & III | G | X | |||||||
| The whip | A | ||||||||
| Whisky souflee | A | A | |||||||
| Brown shoes shuffle | F# | ||||||||
| Whiskey wah | F# | Pentatonic | |||||||
| It must be a camel | X | A | X | D | B/G# | ||||
| Peaches en regalia | B | ||||||||
| Willie the pimp (1970) | A | ||||||||
| Mr. Green Genes/Son of Mr. Green Genes | D/Bb | D | |||||||
| The Gumbo variations | G | G | D | ||||||
| Little umbrellas | D | E/F#/G | A | ||||||
| Bognor Regis | E | ||||||||
| Peaches jam | A | ||||||||
| Lil' Clanton shuffle | C | C | |||||||
| Another waltz | D | Pentatonic | |||||||
| Twenty small cigars | E | ||||||||
| Igor's boogie 1 | X | ||||||||
| Igor's boogie 2 | X | ||||||||
| Theme from Burnt weeny sandwich | D | ||||||||
| Aybe sea | C/Eb | E | |||||||
| Little house piano intro | X | ||||||||
| Little house main theme/solos | D | D/E | F# | X | |||||
| Kung fu | X | ||||||||
| What will this evening bring me this morning | E | ||||||||
| Sofa interlude (1975-6) | G | ||||||||
| Didja get any onya | F# | C | |||||||
| Gas mask | X | ||||||||
| Original Mothers at the Fillmore East | X | ||||||||
| Get a little | E | E | |||||||
| Eric Dolphy's memorial barbecue ('69/'88) | X | ||||||||
| Dwarf Nebula | A | ||||||||
| My guitar wants to kill your mama | G | G | B | X | |||||
| The Orange County lumber truck | X | A | |||||||
| Weasels ripped my flesh | Cluster | ||||||||
| Baked-bean boogie | Eb | ||||||||
| No waiting for the peanuts to dissolve | Pentatonic | ||||||||
| Chocolate Halvah | E | ||||||||
| Underground freak-out music | Pentatonic | ||||||||
| You call that music? | X | ||||||||
| Alley cat | E | ||||||||
| Proto-minimalism | Floating | ||||||||
| Meow | X | ||||||||
| FZ/JCB drum duet | Not applicable | ||||||||
| Where's our equipment | Floating | X | |||||||
| Tiny sick tears | Two chords | ||||||||
| Are you upset? | X | ||||||||
| The Nancy and Mary music | Eb | ||||||||
| Tell me you love me | F# | F# | |||||||
| Would you go all the way? | F | ||||||||
| The clap | X | ||||||||
| Road ladies | D | D | |||||||
| Sharleena (1971-84) | F | G/D | G | G | |||||
| Chunga's revenge | D | ||||||||
| Rudy wants to buy yez a drink | C | F | G | ||||||
| Transylvania boogie (Chunga's revenge) | E | A | Gypsy scale | ||||||
| (and Transylvania boogie (Ahead of …)) | |||||||||
| Twinkle tits | E | E | |||||||
| Chunga's basement | D | ||||||||
| Khaki sack | G/F# | A | |||||||
| Basement jam | G | ||||||||
| Love will make your mind go wild | C | C | |||||||
| Funky Nothingness | F# | ||||||||
| Halos an arrows | E | ||||||||
| Moldred | G | ||||||||
| Dance of the just plain folks | X | ||||||||
| Red tubular lighter | A | ||||||||
| Giraffe - take 4 | X | ||||||||
| Holiday in Berlin solo | D | ||||||||
| Call any vegetable solo | E | ||||||||
| Brain police (1970) | C | ||||||||
| Brain police (1971) | C | ||||||||
| The subcutaneous peril | D | ||||||||
| You never know …/Harmonica fun | X | ||||||||
| Little house intro (1971) | A | A | |||||||
| The mud shark | E | E | |||||||
| Latex solar beef | B | ||||||||
| Junier Mintz boogie | Bb | ||||||||
| (Willie the pimp (1971)) | |||||||||
| Bwana dick | E | C | F# | X | |||||
| Do you like my new car? | F# | F# | |||||||
| The groupie routine | F# | F# | F# | ||||||
| Lonesome electric turkey | X | ||||||||
| King Kong (1971, solo) | X | ||||||||
| Tears began to fall | D/B | ||||||||
| Scumbag | D | ||||||||
| Brixton still life | D | ||||||||
| Don't eat there | X | ||||||||
| Super grease | X | ||||||||
| A typical soundcheck | Pentatonic | ||||||||
| Once upon a time | C | ||||||||
| Sofa (1971) | C | G | |||||||
| Divan | X | ||||||||
| Call any vegetable (1967/71) | F#/A | G | A | E | X | ||||
| Penis dimension | X | ||||||||
| Billy the mountain | D | Db/C | G/D | X | |||||
| Eddie are you kidding? | E | ||||||||
| Magdalena | D/A | ||||||||
| 200 Motels finale | D | ||||||||
| Number 7 | X | ||||||||
| Piccolo part | X | ||||||||
| She painted up her face | B | E | |||||||
| Nun suit | X | ||||||||
| The girls's dream | X | ||||||||
| Little green scratchy sweaters | X | ||||||||
| Mistery roach | E | E | |||||||
| Tuna fish promenade | X | ||||||||
| Tuna sandwich bolero | X | ||||||||
| Lonesome cowboy Burt (1971/88) | A | C | |||||||
| Dental hygiene dilemma | X | ||||||||
| Overture | C | C | |||||||
| Dance of the rock and roll interviewers | X | ||||||||
| Would you like a snack? (1971) | C | Eb/Ab/D | C# | ||||||
| What's the name of your group? | X | ||||||||
| Can I help you with this dummy | X | X | |||||||
| Touring can drive you crazy | X | ||||||||
| Redneck eats | X | ||||||||
| Centerville | X | ||||||||
| Janet's big dance number | X | ||||||||
| Shove it right in (song and orch. mvt.) | A | C | X | ||||||
| Half a dozen provocative squats | G | F | |||||||
| Lucy's seduction of a bored violinist | Self-created scale | ||||||||
| I'm stealing the room | X | ||||||||
| Does this kind of life look interesting to you? | X | ||||||||
| Daddy, daddy, daddy | F# | ||||||||
| What will this morning bring me this evening | E | ||||||||
| The pleated gazelle | X | ||||||||
| Dew on the newts we got | Floating | ||||||||
| Motorhead's midnight ranch | X | ||||||||
| The lad searches the night for his newts | X | ||||||||
| The girl wants to fix him some broth | E | E | X | ||||||
| Magic fingers | A | ||||||||
| 200 Motels score examples | D | X | |||||||
| Big Swifty (1972/88) | E | F#/E | E | X | |||||
| It just might be a one shot deal | G | E | X | ||||||
| For Calvin | X | ||||||||
| Your mouth | C | ||||||||
| Cletus awreetus-awrightus | A/Db/E | G/B | |||||||
| Eat that question | E | ||||||||
| The grand wazoo | D | A | X | ||||||
| Another whole melodic section | X | ||||||||
| Think it over | D | D | |||||||
| Waka/Jawaka | F/D/E | A/F | A/G | Locrian | |||||
| Blessed relief | F/E | A/G/F# | Bb | ||||||
| Greggery Peccary mvt. I interlude | D | ||||||||
| Greggery Peccary mvt. III solo | E | ||||||||
| Variant I processional march | X | ||||||||
| Imaginary diseases | B | A | |||||||
| Rollo | E | Bb | Ab | X | Octatonic | X | |||
| Been to Kansas in A minor | A | ||||||||
| D.C. Boogie | D | ||||||||
| Farther O'blivion | E | F/F# | E/C | ||||||
| Little dots | X | ||||||||
| Camarillo brillo | E | ||||||||
| I'm the slime | F#/E/D | ||||||||
| Dirty love | D | ||||||||
| Fifty-fifty | Db | D/Eb/C | C | Db/E | C/Db/Ab/Cb | ||||
| Palladium jam | A | ||||||||
| Dinah-Moe Humm (1973-4) | E | E | E | ||||||
| Montana (1972-3) | A/B | F# | Floating | ||||||
| Don't eat that yellow snow | D | ||||||||
| Don't eat that yellow snow, Australia | D | D | X | ||||||
| Nanook rubs it | D# | ||||||||
| St. Alfonso/Father O'blivion | E | A | E | X | |||||
| Father O'blivion, Australia | G | G | |||||||
| Cosmic debris | C | C | |||||||
| Excentrifugal forz | A | ||||||||
| Apostrophe | C | E/B | D | B | |||||
| Uncle Remus | X | ||||||||
| Penguin in bondage | D | G | Pentatonic/Locrian | ||||||
| Echidna's arf | E | B | E | A | B/C# | Whole-tone scale | |||
| Don't you ever wash that thing | C | X | |||||||
| Cheepnis | E | D | |||||||
| Orange County | E | ||||||||
| More trouble every day (1974-84) | F# | ||||||||
| Goteborg GTR | F# | ||||||||
| Dickie's such an asshole | B/F# | F# | |||||||
| Pojama prelude | D | C/D/G | |||||||
| All skate | A | A | C/A | ||||||
| Village of the sun (1973-74) | D | F/G | F | G | X | ||||
| Inca roads (1973) | C | ||||||||
| Sheik Yerbouti tango | F | Whole-tone scale | |||||||
| Be-bop tango | X | ||||||||
| Approximate | X | ||||||||
| Pygmy twylyte (1973-4) | B | Bb | B | ||||||
| The idiot bastard son | X | ||||||||
| Room service | B | E | E | ||||||
| Dummy up | B | ||||||||
| Dupree's paradise (1973-4) | B | B/A | E | E | F# | X | X | ||
| Smell my beard | Irregular | ||||||||
| The booger man | C | ||||||||
| Get down Simmons | X | ||||||||
| Ralph stuffs his shoes | B | E/G | |||||||
| Bitch, bitch, bitch | A | B | A | ||||||
| Blind mice blues | G | ||||||||
| Florentine Pogen (1974-88) | A | E | |||||||
| Inca roads (1974-88) | C | G | C/Ab | X | |||||
| Can't afford no shoes | E | X | B/E | ||||||
| Po-jama people | D | D | |||||||
| Evelyn | X | ||||||||
| San Ber'dino | A | E | F# | ||||||
| Andy | C# | A/D | |||||||
| Is there anything good inside of you? | A | A | B | ||||||
| Debra Kadabra | A/D/E | ||||||||
| Carolina hard-core ecstasy (1975-84) | C | A | C | ||||||
| Poofters froth | C | ||||||||
| 200 years old | G | ||||||||
| Cucamonga | Eb | G | A | ||||||
| Advance romance | G | G | |||||||
| Original torture | C | ||||||||
| Muffin man | F# | X | |||||||
| Original duke of prunes | (see The duke …) | ||||||||
| The duke of prunes regains his chops | E | ||||||||
| Duke of prunes (1975) | E | G# | G#/F | ||||||
| This town is a sealed tuna sandwich (prologue) | X | ||||||||
| Bogus pomp, tuna sandwich theme | E | ||||||||
| Bogus pomp, piano variation | X | ||||||||
| Bogus pomp, part of the coda | D | ||||||||
| Black napkins instructions | (see Black napkins) | ||||||||
| Evening at the Hermitage | F | X | |||||||
| Music for a low budget orchestra | D | G | Bb/C | B/C# | X | ||||
| Greggery Peccary | X | X | |||||||
| The new brown clouds (1972-5) | G | A | F | ||||||
| Lemme take you to the beach | X | E/A | |||||||
| RDNZL (1974-82) | C/D/A | A/D | A/C | F | G | X | |||
| Phyniox | Ab | C | Ab | Ab | |||||
| Reeny ra/Solitude | C | D | Bb | G | D/E | Locrian | |||
| Any downers? | F# | ||||||||
| Kaiser rolls | D | ||||||||
| Keep it greasy (1976) | D | ||||||||
| Keep it greasy (1979) | G | ||||||||
| Black napkins | D | D | C# | ||||||
| Chunga's revenge solos (1975) | D | D | X | X | |||||
| City of tiny lights | G | ||||||||
| Wind up working in a gas station | C/B | D | D | ||||||
| The torture never stops | G | ||||||||
| Miss Pinky | A | ||||||||
| Find her finer | G | ||||||||
| Friendly little finger | X | ||||||||
| Wonderful wino solo | A | A | |||||||
| Zoot allures (1976-84) | E | A | X | ||||||
| Disco boy | B | ||||||||
| Filthy habits | F/C | F/C | |||||||
| Regyptian strut | B/G# | X | |||||||
| Spider of destiny | X | ||||||||
| Flambay | X | ||||||||
| Time is money | Bb | C | A | Gb/Bb | Bb | A/E/C | Locrian, whole-tonesc. | X | |
| Sleep dirt | X | ||||||||
| The ocean is the ultimate solution | F | C/F/Bb | |||||||
| The black page #1 | X | ||||||||
| Manx needs women | X | ||||||||
| Titties and beer | F# | B | |||||||
| Cruising for burgers solo (1976) | D | ||||||||
| I promise not to come in your mouth | F#/A | Db/Bb | C | ||||||
| The Illinois enema bandit | D | ||||||||
| Big leg Emma | E | E | E | ||||||
| The purple lagoon/Approximate | F | X | |||||||
| The be-bop tango (1976, Purple lagoon) | X | ||||||||
| America drinks (1976) | C/Ab | D | F#/A | X | |||||
| Duck duck goose | E | ||||||||
| Down in the dew | X | ||||||||
| Revenge of the knick-knack people | C | ||||||||
| For the young sophisticated | F | F | |||||||
| Tryin' to grow a chin | X | ||||||||
| Broken hearts are for assholes | A | A | |||||||
| A little green rosetta (1975-9) | A | D | |||||||
| Ship ahoy | D | D | |||||||
| Leather goods | D | ||||||||
| Jones crusher | E | ||||||||
| Punky's whips | C# | X | |||||||
| Conehead instrumental | Bb | ||||||||
| Conehead (1978) | F/E | ||||||||
| Basement music #1 | X | ||||||||
| Basement music #2 | D | ||||||||
| Wild love solos (1977) | B | ||||||||
| Läther | X | ||||||||
| Bowling on Charen | B | ||||||||
| Is that guy kidding or what? | A | ||||||||
| The poodle lecture | C | ||||||||
| The black page #2 | G | ||||||||
| I have been in you | A | ||||||||
| Flakes | D/E | E | |||||||
| I'm so cute | E | E | |||||||
| What ever happened to all the fun … | X | ||||||||
| Wait a minute | X | ||||||||
| Rubber shirt | Eb | Eb | |||||||
| Baby snakes | E | C | |||||||
| Dancin' fool | A/Bb/C# | ||||||||
| Jewish princess | D | ||||||||
| Wild love | B | A | |||||||
| Mo' mama | E | ||||||||
| Yo' mama | C | E | A | ||||||
| Dong work for Yuda | D | ||||||||
| Watermelon in Easter hay (H.O.) | E | ||||||||
| King Kong (H.O.) | Eb | D | |||||||
| Heidelberg | E | ||||||||
| Paroxysmal splendor | C | A | A | ||||||
| Ancient armaments | A | ||||||||
| Stinkfoot (1974-8) | C | C | |||||||
| Lobster girl | |||||||||
| Pound for a brown solos 1978 | D | D | |||||||
| Occam's razor | C | ||||||||
| On the bus | A | ||||||||
| Central scrutinizer | D | D | |||||||
| Joe's garage | E | ||||||||
| Catholic girls | A | F# | |||||||
| Crew slut | D | ||||||||
| Fembot in a wet T-shirt | E | ||||||||
| Why does it hurt when I pee? | D | A | |||||||
| Lucille | A | ||||||||
| Stick it out | B | ||||||||
| Sy Borg | E | ||||||||
| Outside now (original solo) | Bb | ||||||||
| Outside now | Bb | ||||||||
| He used to cut the grass | E/F# | ||||||||
| Packard goose (1979-88) | E | F# | C# | ||||||
| Watermelon in Easter hay | E | ||||||||
| Tush-tush-tush | F# | ||||||||
| A token of my extreme | D | F#/A | |||||||
| No more Mr. nice girl | E | A | |||||||
| Fine girl | C | ||||||||
| Panty rap | D | C# | |||||||
| The Madison panty sniffing festival | C | ||||||||
| Easy meat | E | F# | E | F# | X | ||||
| Dance contest | E | ||||||||
| Now you see it - now you don't | Eb | ||||||||
| The blue light | A | ||||||||
| Tinsel town rebellion | F# | ||||||||
| Pick me, I'm clean | C | D | |||||||
| Bamboozled by love | A | ||||||||
| Peaches III | B | Locrian | X | ||||||
| Five-five-FIVE | X | ||||||||
| Shut up 'n play yer guitar | C | ||||||||
| Hog heaven | E | ||||||||
| While you were out | D | ||||||||
| Treacherous Cretins | Major type | ||||||||
| Soup 'n old clothes | D | ||||||||
| Variations on the Santana chord progression | G | ||||||||
| Gee, I like your pants | C | ||||||||
| Canarsie | X | ||||||||
| The deathless horsie (YCDTOSA) | B | C# | |||||||
| (and The deathless horsie (SUNPYG)) | |||||||||
| Shut up 'n play yer guitar some more | A | C | |||||||
| Pink napkins | C# | D | |||||||
| Beat it with your fist | A | ||||||||
| Pinnochio's furniture | D | ||||||||
| Return of the son of Shut up 'n play yer guitar | C | ||||||||
| Why Johnny can't read | E | ||||||||
| Stucco homes | D | ||||||||
| Canard du jour | G | ||||||||
| Teen-age wind | G# | B | G | ||||||
| Harder than your husband | C | ||||||||
| Doreen | E/F | ||||||||
| Tengo na minchia tanta | G | ||||||||
| Goblin girl | F# | ||||||||
| I'm a beautiful guy | Locrian | ||||||||
| You are what you is | Bb | ||||||||
| Society pages | Bb | ||||||||
| Beauty knows no pain | G | ||||||||
| Charlie's enormous mouth | Ab | ||||||||
| Stevie's spanking | F/G | A/B | |||||||
| Dumb all over | Db | ||||||||
| Heavenly bank account | G | G | |||||||
| Church chat | E | ||||||||
| Suicide chump | D/Eb | ||||||||
| Jumbo go away | Bb/G | Eb | X | ||||||
| Number 6 | X | ||||||||
| The meek shall inherit nothing | Gb | Db | Gb | ||||||
| If only she woulda | B | ||||||||
| Drafted again | X | ||||||||
| Dead girls of London (1982, end) | X | ||||||||
| Mo 'n herb's vacation | X | ||||||||
| Bogus pomp | X | ||||||||
| Sad jane | X | ||||||||
| Bob in Dacron | X | ||||||||
| Pedro's dowry | X | ||||||||
| Envelopes (1983) | X | ||||||||
| Outside now, again | Floating | ||||||||
| The girl in the magnesium dress | X | ||||||||
| Dupree's paradise (1984) | E | X | |||||||
| Love story | X | ||||||||
| Jonestown | X | ||||||||
| The perfect stranger | X | ||||||||
| Valley girl | C/F | E | |||||||
| I come from nowhere | F# | B | |||||||
| Drowning witch | E/F#/B | A/F# | X | ||||||
| Envelopes (1982) | X | ||||||||
| Teen-age prostitute | X | ||||||||
| Lisa's life story | X | ||||||||
| Little rubber girl | D | ||||||||
| In France | E | ||||||||
| Ya Hozna | Bb | C | |||||||
| Sinister footwear II (1982-4) | G | B | X | X | |||||
| Truck driver's divorce | Bb | A | |||||||
| Theme from Sinister footwear III | F | ||||||||
| Marque-Son's chicken | X | Octatonic | |||||||
| Planet of my dreams | X | ||||||||
| Be in my video | C | ||||||||
| Them or us | Bb | ||||||||
| Frogs with dirty little lips | A | A | |||||||
| Sinister footwear I | X | ||||||||
| Naval aviation in art?/Jeff and Don | X | ||||||||
| Cocaine decisions | C | D | Gypsy scale | ||||||
| SEX | A | ||||||||
| The dangerous kitchen | X | ||||||||
| Stick together | A | ||||||||
| The jazz discharge party hats | X | ||||||||
| The radio is broken | X | ||||||||
| Tink walks amok | E | ||||||||
| Moggio | E | X | |||||||
| We're not alone | C/E | F# | |||||||
| Luigi and the wise guys | Bb | ||||||||
| The torture never stops (1980) | A | A | X | ||||||
| Prologue (1984) | A | ||||||||
| The mammy nuns/anthem | D/Ab | F# | |||||||
| Wistful wit a fistful | X | ||||||||
| The 'torchum' never stops/The evil prince | G | G | X | ||||||
| Harry and Rhonda | Ab | ||||||||
| (That evil prince) | |||||||||
| Mudd club | Db | ||||||||
| Clowns on velvet (1981-4) | E | X | |||||||
| Harry-as-a-boy | Floating | ||||||||
| The massive improve'lence | X | ||||||||
| Artificial Rhonda | A | A | |||||||
| The crab-grass baby | C | ||||||||
| Briefcase boogie | X | ||||||||
| Brown Moses | F#/Db | ||||||||
| Drop dead | A | ||||||||
| No not now/Won ton on | Floating | ||||||||
| Baby take your teeth out | D | ||||||||
| Penguin in bondage solo (1984) | Whole tone scale | X | |||||||
| Let's move to Cleveland | C | E | C | X | |||||
| Cleveland solos 1984 | C | C | |||||||
| Hot plate heaven at the Green hotel | E | ||||||||
| For Giuseppe Franco | X | ||||||||
| He's so gay | Bb | Bb | |||||||
| Bobby Brown | C | ||||||||
| One man - one vote | B | X | |||||||
| Aerobics in bondage | X | ||||||||
| I don't even care (1974-85) | G/D | E/D | |||||||
| Little beige sambo | X | ||||||||
| We're turning again | E | ||||||||
| What's new in Baltimore | E | E | X | ||||||
| Yo' cats | F | X | |||||||
| Alien orifice | G/C | Eb/C | A | E/G | Bb minor variant | ||||
| Porn wars | F# | X | |||||||
| H.R. 2911 | X | ||||||||
| Night school | C# | C/Ab | |||||||
| The Beltway bandits | X | X | |||||||
| While you were art II | D | Floating | |||||||
| G-spot tornedo | B | X | |||||||
| Jazz from hell | X | ||||||||
| St. Etienne | B | ||||||||
| Damp ankles | X | ||||||||
| Massagio Galore | B | ||||||||
| The black page (1987) | Chromatic | ||||||||
| Medieval ensemble | X | ||||||||
| Sexual harassment in the workplace | C# | ||||||||
| That ol' G minor thing again | G | ||||||||
| Which one is it | Bb | Bb | |||||||
| Chalk pie | A | ||||||||
| When no one was no one | A | ||||||||
| Move it or park it | Bb | ||||||||
| Republicans | X | ||||||||
| In-a-gadda-Stravinsky | D | D | D | D | |||||
| Do not pass go | B | ||||||||
| Once again, without the net | D | D | |||||||
| That's not really reggae | A | ||||||||
| Jim and Tammy's upper room | G | ||||||||
| Were we ever really save in San Antonio? | B | ||||||||
| That's not really a shuffle | Eb | Chromatic | |||||||
| Hotel Atlanta incidentals | Eb | ||||||||
| Sunrise redeemer | E | ||||||||
| Variations on Sinister #3 | E | ||||||||
| Orrin hatch on skis | D | D | |||||||
| But who was Fulcanelli? | E | ||||||||
| For Duane | A | ||||||||
| GOA | D | ||||||||
| Winos do not march | G | ||||||||
| Swans? What swans? | Bb | ||||||||
| Too ugly for show business | D | ||||||||
| System of edges | C | ||||||||
| Things that look like meat | G | ||||||||
| Do not try this at home | Bb | ||||||||
| Canadian customs | X | ||||||||
| Is that all there is? | C | ||||||||
| Babette | C | ||||||||
| Diseases of the band | C# | E | |||||||
| Ride my face to Chicago | D | B | |||||||
| The black page (1984) | G | ||||||||
| Carol you fool | D | ||||||||
| Chana in de Bushwop | G | ||||||||
| Nig biz | G | Pentatonic | |||||||
| Shall we take ourselves seriously | X | ||||||||
| Thirteen | C | ||||||||
| White person | X | ||||||||
| Tracy is a snob | A | ||||||||
| Emperor of Ohio | D | ||||||||
| Honey, don't you want a man like me? (1976) | A | ||||||||
| Honey, don't you want a man like me? (1980) | E | ||||||||
| Honey, don't you want a man like me? (1984-88) | C | ||||||||
| King Kong (1971/82) | Bb | Eb | A | ||||||
| Rhymin' man | A | ||||||||
| Promiscuous | D | ||||||||
| Welcome to the U.S. | Eb | X | |||||||
| Elvis has left the building | D | ||||||||
| Planet of the baritone women | X | ||||||||
| When the lie's so big | G | ||||||||
| Any kind of pain | F/G | F | C/Bb | ||||||
| Why don't you like me | F# | ||||||||
| Jezebel boy | X | ||||||||
| What kind of girl? | A | A | |||||||
| Jesus thinks you're a jerk | C | A | |||||||
| Heavy duty Judy (1981-88) | E | X | |||||||
| The black page (new age version) | F | G/Bb | |||||||
| When yuppies go to hell | X | X | |||||||
| Fire and chains | D | ||||||||
| Star wars don't work | D | ||||||||
| The torture never stops, part II | A | ||||||||
| Zomby woof (1973/88) | A | Floating | |||||||
| King Kong (1988) | D | X | |||||||
| Let's make the water turn black (1968-88) | C | X | Locrian (1974 solo) | ||||||
| Lonesome cowboy Nando | C | ||||||||
| A few moments with Brother West | D | ||||||||
| Good lobna | F# | ||||||||
| Butter or cannons | X | ||||||||
| A cold dark matter | C | ||||||||
| Ask dr. Stupid | F# | F# | X | ||||||
| Scratch & sniff | G | ||||||||
| Trance-fusion | D | ||||||||
| Diplodocus | Eb | ||||||||
| Soul polka | C# | ||||||||
| Gorgo | A | ||||||||
| After dinner smoker | A | ||||||||
| Light is all that matters | X | ||||||||
| Finding Higgs' Boson | A | ||||||||
| Bavarian sunset | E | ||||||||
| Outrage at Valdez | F | ||||||||
| The Valdez score | Self-created scale | ||||||||
| Electronic music by FZ | X | ||||||||
| The grand wazoo (1992) | X | ||||||||
| Improvisation in A | A | ||||||||
| Budapest solo | D | ||||||||
| Strat Vindaloo | Indian scale | ||||||||
| Strictly genteel | D | D | X | ||||||
| 9/8 Objects | C | ||||||||
| What will Rumi do? | E | ||||||||
| T'Mershi Duween (1991) | D | E | B | ||||||
| This is a test | X | ||||||||
| Uncle meat (1992) | Eb | X | X | ||||||
| (Pound for a brown (1992)) | |||||||||
| Exercise #4 (1992) | G | X | X | ||||||
| Ruth is sleeping | X | ||||||||
| III Revised | X | ||||||||
| Times beach II | X | ||||||||
| Times beach III | X | ||||||||
| Times beach I & IV | X | ||||||||
| Questi cazzi di piccioni | X | ||||||||
| Pentagon afternoon | X | ||||||||
| None of the above I, II & IV | X | ||||||||
| Food gathering in post-industrial America | X | ||||||||
| Get Whitey | X | X | |||||||
| Put a motor in yourself | E | X | |||||||
| They made me eat it | X | ||||||||
| Reagan at Bitburg | X | ||||||||
| Navanax | X | ||||||||
| Xmas values | X | ||||||||
| Buffalo voice | X | ||||||||
| Get a life | X | ||||||||
| N-lite | A | X | |||||||
| Secular humanism | X | ||||||||
| I was in a drum | F | ||||||||
| A pig with wings | X | ||||||||
| Hot & putrid | X | ||||||||
| The unanswered cluster | X | ||||||||
| Gross man | X | ||||||||
| Why not | X | ||||||||
| Beat the reaper | X | ||||||||
| Waffenspiel | Not applicable | ||||||||
| Samba funk | X | ||||||||
| Overture to Uncle Sam | X | X | |||||||
| Amnerika (vocal version) | F | ||||||||
| Dance me this | F | F | |||||||
| Pachuco gavotte | X | ||||||||
| Wolf Harbor | X | ||||||||
| Goat polo | A | ||||||||
| Rykoniki | X | ||||||||
| Piano | X | X | |||||||
| Calculus | Floating |